
Shamsur
Rahman Shams Sweet
are the uses of adversity, says William Shakespeare. It is a poisonous toad
which contains in its head a precious jewel. It gives us more scope for the
exercise of our faculties and there is no better school for man. What is
learnt in the school of adversity cannot be learnt anywhere else, either
from books or from schools and colleges.
The noble and sublime of the world are those who have risen from the ranks.
The world has benefited more form these struggling souls than by men nursed
in prosperity.
Mr. Rahmat Shah Sayel has suffered his full share of adversities. Born among
a family of laborers in 1943, he went through many trials and tribulations
during his childhood. His father, Amin Gul, and grandfather, Syed Gul, are
stated to be the poorest people of Warter (Dargai) in Malakand Agency.
Sayel was admitted to a local primary school for formal education at the age
of five, but it became difficult for his parents to bear the expenses and
thus he was deprived of getting any education. According to his colleagues
he was the most intelligent student but after passing class three, he was
compelled to leave school and assist his parents in earning a livelihood. He
worked from morn to dusk and brought a few coins home to buy corn. His
spirit, meanwhile, was no dormant. He had a heart filled with emotions and
thoughts, and after a hard day�s labor he used to compose poetry to lessen
his fatigue.
This capacity later developed and he emerged as a poet and was given a
prominent place among the other poets of the territory. Nobody guided him
except in showing him how to labor harder and harder. It is astonishing to
note here that the early life of Rahmat Shah Sayel was arduous and full of
difficulties, but his early poetry was concerned with nothing but his
roaming about confounded by the teasing love of his beloved. His early
poetry is an echo of his grieved heart, not due to hard work but to the
faithlessness of his beloved.
On the one hand he used to help his parents while on the other he burnt
midnight oil developing his emotional thoughts and expressing his feelings
through his pen. As soon as his senses matured, his ideas and feelings
ripened and his poetry took on new shape and color.
Emboldened also by a local poet, Rahmat Shah Sayel won a position and became
famous for his poetic and literary talent. Now, instead of composing only
love poetry, he gave vent to many other subjects and made his poetry
universal. He started studying the work of ancient and modern poets. He went
through the works of Khushal Khan Khattak, Rahman Baba, Abdul Hamid, Ali
Khan and other Pashto poets, as well as those of Sahir Lodhianvi, Faiz Ahmad
Faiz and Josh Maleeh Abadi and Urdu. He was considerably influenced by their
technique and sublime style.
Though uneducated, Sayel is the author of three books, Da Weer Pa Chum Ka
War Da Naghmu and Da Lumbu pa Soori. The former contains sonnets and the
latter ghazals, plots, stanzas and tappas. His third book, Da Khaistoonu Da
Sparly Badoona has come to the market recently. It is compiled from his
latest ghazals written in modern Pakhtun society.
Saadullah Jan Burq, a renowned poet and a distinguished writer, writes about
Sayel that if a flower has color but no fragrance or fragrance but no color,
it can not be called a rose. Only when it has both these features does a
rose attain perfection and as every flower is not a rose, so every poet can
not be compared with Rahmat Shah Sayel. What makes Sayel most highly
regarded is his melodious poetry. There is a harmony between his poetry and
voice. His poetry is more impressive when recited by himself.
His ghazal interprets various aspects of life. If he talks about the rosy
cheeks of his beloved, he also feels light and darkness, happiness and
sorrow. If he discusses flowers, he also refers to the thorns surrounding
them. The salient characteristics of his ghazals are their separateness,
mannerisms and similes. These make his ghazal completely different from that
of other poets.
Sayel writes poetry and prose and has full command on both. He is full of
vigor, courage and capable to continue and spread his work:
He writes:
My wisdom is not to be perished or destroyed. Only hard times will paralyze
it.
On analysis, two things emerge: his poetry is dominated first by delicacy
and second naturalness. Every verse he says in such a natural and delicate
manner as to touch the heart. He says:
O my beloved! Why does my presence so confuse you? I am like spring and will
make blossom your youth.
He is a highly anxious lover ready to suffer every sort of agony to get the
hand of his beloved:
Saqi! Give me wine of the rosy eyes today. No matter if I am anguished for
it tomorrow.
Any poet or writer who, after observing certain facts, tries to hide them or
produce in a different way does not fulfill his responsibility as a poet or
writer and is said to be coarse and dishonest. Sayel stands innocent of any
such act.
He is a sensitive heart. Virtuousness and good feelings are overflowing in
his personality. Being a true Pakhtun, he is greatly distressed to see the
disloyalty of his Pakhtun brethren and says:
Owing to the disloyal nature of my Pakhtun brothers, I am compelled to make
relationship with strangers.
Rahmat Shah Sayel pays rich tributes to Baba-e-Pushto Khushal Khan Khattak
and is greatly impressed by his poetry.
His own life is an imitation of Khushal Khan who endured forays, house
arrests and imprisonment. Sayel was also imprisoned and put to severe trails
for nothing, besides voicing his opinions. Even in jail, he did not give up
his line of action. It was the result of these tortures and torments that
Sayel�s poetry contains many dreadful events and examples of human cruelty
that took place in the past. In his sonnet �Hiroshima�, he depicts the
destruction of nuclear disaster and criticizes the words-with-out-action
approach of the global powers towards preventing the nuclear race. He
reminds the two superpowers and other states of the world of the widespread
devastation caused by the bomb in Hiroshima and urge them to work for the
peaceful use of nuclear energy. He says that it is of no avail merely to
show anger and resentment over the tragedy but the need is to take some
practical measures to prevent such calamities. In another such poem �Vietnam
War�, Sayel calls for the co-operation and unity of Muslims through out the
world to foil the barbarism and evil designs of those treacherous nations
who try to mar global peace.
At present, Rahmat Shah Sayel runs a tailoring shop in Dargari Bazar to earn
his livelihood but most of his time is spent in literary activities. He is a
member of Pashto Adabi Jirga, Malakand Agency.
Khatir Afridi, Ikramullah Gran and Shamsul Qamar Andesh are his favorite
poets among these colleagues. He holds Amir Hamza Shinwari in most high
regard for his meritorious services to the cause of Pashto literature.
It is quite unjust an ugly spot on the Pashto language, that a man of such
literary talent sews cloths to make his both ends meet. He has been denied
his due place in society due to his great sin of not having passed
examinations in any school or college, even though he has more ability than
a well-educated person. If supported, he will be able to do more for the
betterment of his mother tongue; otherwise it is feared that the may give up
his struggle due to constant disappointment.
Source: Sent by Sherzai wror
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The End.
August, 2008 |